Dharma Studio on Splice Debuts KSHMR Vol. 5

Dharma Studio on Splice launched with the release of Sounds of KSHMR Vol. 5, presented as the first official release under the Dharma Studio banner. Vol. 5 comprises more than 6,000 individual sounds organized across eight instrument-focused categories: Drums, Drum Loops, Drum Fills, FX, Songstarters, Instruments, Synths, and Vocals. The multi-part collection began its initial rollout with rhythm-driven folders available immediately on Splice, with additional installments scheduled to drop monthly.

The complete Vol. 5 bundle is available at dharmaworldwide.com, and ongoing releases and installment drops will be distributed via splice.com. This launch establishes a catalog presence for Dharma Studio on the platform and provides a staged, large-scale sound library for producers.

Sounds of KSHMR Vol. 5 launched as the first official release under the Dharma Studio banner on Splice and presents a large-scale sound library totaling more than 6,000 individual sounds. The release is framed as a multi-part collection designed to provide a broad range of production materials, intended to support diverse genres and workflows through an extensive set of samples and presets. The volume is presented by Dharma Studio on Splice as an inaugural catalog entry meant to establish the studio’s presence on the platform and to make a substantial set of sounds available to producers worldwide.

The release is divided into eight instrument-focused collections that cover a complete production chain across percussion, melodic, and vocal elements. These eight focused releases are Drums, Drum Loops, Drum Fills, FX, Songstarters, Instruments, Synths, and Vocals, each curated as a separate package within the Vol. 5 offering. The instrument-focused structure is intended to let users access targeted sound types without navigating unrelated material, with each category organized as its own installment in the overall collection. The breakdown into these named categories is a core facet of the Vol. 5 product configuration.

The distribution strategy for Vol. 5 uses a staged rollout and multiple channels for access. An initial rollout delivers rhythm-driven folders that are available immediately on Splice, while additional installments are scheduled to drop on a monthly cadence. The complete bundle is available now at dharmaworldwide.com, and ongoing releases and installment drops are being distributed via splice.com. This combination of immediate content on Splice, a full bundle on Dharma Worldwide’s site, and continuing monthly installments defines the release plan for the collection.

Sounds of KSHMR Vol. 1 was released in 2016 and is identified in the reporting as the first volume in the Sounds of KSHMR series. The reporting notes that the 2016 release represented an early collaborative entry in the series. The documentation states that the release and its associated collaboration have powered millions of downloads. Vol. 1 is described as an earlier installment within the Sounds of KSHMR series in the available reporting. The reporting frames these items as part of the documented history for the Sounds of KSHMR releases.

Artists reported to have used Sounds of KSHMR Vol. 1 include Logic, DJ Snake, Selena Gomez, BLACKPINK, LISA, and Meek Mill. The reporting lists these specific artists in connection with Vol. 1 without providing track-level citations or detailed usage notes for each name. No additional dates, usage metrics beyond the millions-of-downloads figure, or examples of tracks incorporating Vol. 1 are supplied in the material. The available sources do not provide this information.

KSHMR described Dharma Studio as “the natural evolution of everything I’ve been building over the years” and said that working with Splice will allow the project to scale. He said the partnership with Splice will enable Dharma Studio to provide producers with “truly incredible sounds from all over the world.” KSHMR presented these remarks as a direct characterization of Dharma Studio’s development and its intended scope. He framed the collaboration as building on his prior work to expand access to curated sounds.

Kenny Ochoa, SVP, Global Partnerships at Splice, said there is “huge demand for KSHMR on Splice” and described KSHMR’s sounds as “a key touchstone of our company’s future.” Ochoa said the Dharma Studio label represents Splice’s “huge trust and respect for KSHMR” and stated that “human-made samples are core to our platform and human artistry.” He also said Splice is “excited to hear how Splice customers will use new tools to engage with this sound design.” These statements attribute Splice’s stated perspective on demand, trust, and the role of human-made samples to Ochoa.

Dharma Studio on Splice launched with the release of Sounds of KSHMR Vol. 5 as the label’s first official release under the Dharma Studio banner. Vol. 5 is being distributed through multiple channels, with an initial rollout of rhythm-driven folders made available immediately on Splice and the complete Vol. 5 bundle offered at dharmaworldwide.com. Additional installments from the multi-part Vol. 5 collection are scheduled to drop monthly via Splice, creating a staged release cadence. The launch and the described staged distribution plan are presented as a formal catalog entry for Dharma Studio on Splice and define an ongoing release schedule for the label’s content. These distribution arrangements and the designation of Vol. 5 as the initial Dharma Studio offering on the platform constitute the documented milestone and planned ongoing release schedule for Dharma Studio on Splice.

Sounds of KSHMR Vol. 5 launched on Splice as the first official release under the Dharma Studio banner. The collection contains more than 6,000 individual sounds assembled into a multi-part sound library. The release is presented as a large-scale catalog entry intended to provide producers with extensive sample and preset resources. Dharma Studio on Splice is described as establishing a formal catalog presence tied to KSHMR’s sound design work. The Vol. 5 configuration reflects a deliberate scope and scale for initial offerings from the label.

Vol. 5 is organized into eight instrument-focused releases named Drums, Drum Loops, Drum Fills, FX, Songstarters, Instruments, Synths, and Vocals. Each of those eight categories is curated as a distinct package within the overall Vol. 5 collection. The category breakdown is intended to cover percussion, melodic, textural, and vocal elements across production workflows. The instrument-focused structure allows users to access targeted sound types through separate, labeled installments. The eight-category format forms the core product configuration for the Vol. 5 offering.

The distribution plan for Vol. 5 uses a staged rollout with an initial set of rhythm-driven folders available immediately on Splice. Additional installments from the multi-part collection are scheduled to drop monthly. The complete Vol. 5 bundle is available now at dharmaworldwide.com. Ongoing releases and installment drops are being distributed via splice.com as part of the release strategy.

KSHMR said Dharma Studio is the natural evolution of everything he has been building over the years and stated that working with Splice will allow the project to scale. He said that the partnership with Splice will enable Dharma Studio to provide producers with truly incredible sounds from all over the world. KSHMR presented these remarks as a description of Dharma Studio’s development and its relationship with the Splice platform. He linked the studio’s evolution and the Splice partnership to an expanded ability to distribute curated sounds.

Kenny Ochoa, SVP, Global Partnerships at Splice, said there is huge demand for KSHMR on Splice and described KSHMR’s sounds as a key touchstone of the company’s future. He said the Dharma Studio label represents Splice’s huge trust and respect for KSHMR and asserted that human-made samples are core to the platform and to human artistry. Ochoa said Splice is excited to hear how customers will use new tools to engage with this sound design. He presented these remarks as Splice’s perspective on demand, trust, and the role of human-made samples in the platform’s offerings.

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