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Dua Saleh and Bon Iver Preview Flood and Glow

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Dua Saleh and Bon Iver collaborate on Flood and Glow ahead of Of Earth & Wires, previewing the May 15 album.

Dua Saleh and Bon Iver collaborate on “Flood” and “Glow” ahead of “Of Earth & Wires,” providing an enticing glimpse into their upcoming album, which will be released on May 15. These singles were recorded during a productive session in Minneapolis, capturing the synergistic partnership between Dua Saleh and Justin Vernon.

Notably, Vernon contributed by improvising the chorus for “Flood,” with Saleh crafting the lyrics in response to the music’s rhythm. This collaboration showcases their creative dynamics and sets the stage for the album’s fresh explorations, enhanced by desert-themed visuals accompanying both tracks.

The production process of the singles ‘Flood’ and ‘Glow’ occurred during a recording session in Minneapolis, where the collaborative effort between Dua Saleh and Justin Vernon became apparent.

‘Flood’ was the first track to emerge, with Justin Vernon improvising the chorus on the spot, an artistic choice that inspired Dua Saleh to write the lyrics in sync with the rhythm. Beyond this initial creative burst, Vernon played a continuous role in refining the tracks, engaging in the recording process by listening to demos, re-recording vocals, and contributing to the overall arrangements. This hands-on approach from Vernon was noted as enhancing the songs’ development.

Thematically, ‘Flood’ serves as an allegory for the struggle to stay afloat, drawing inspiration from flood memories situated in Cardiff, Wales. Both ‘Flood’ and ‘Glow’ are visually unified through the use of desert-themed visuals in their accompanying music videos, tying the singles together in a coherent artistic vision.

These thematic elements illustrate the emotional depth and creative synergy integral to the collaboration, highlighting the natural and intuitive process that characterized the creation of these tracks. The information provided focuses on the established themes and production dynamics without delving into additional technical specifics not documented in the source.

Dua Saleh said that “Flood” was born first during the sessions, that Justin Vernon improvised the chorus on the spot, and that Dua Saleh then wrote the lyrics to the rhythm of that improvisation. Dua Saleh said that watching Justin Vernon’s cathartic process and hearing the emotion come through in his voice pushed Dua Saleh to confront parts of a past that Dua Saleh had not fully faced yet. These remarks are presented as Dua Saleh’s account of the song’s creation and the immediate creative moment that produced the track.

Dua Saleh said that Justin Vernon’s enthusiasm, sincerity, and melodic intuition made the process feel incredibly natural. Dua Saleh said that what struck Dua Saleh most was Justin Vernon’s regular presence after the session, including an eagerness to listen to demos, re-record vocals, and contribute to arranging as the songs took shape. These statements are presented as descriptions of the collaborative atmosphere reported by Dua Saleh.

The album “Of Earth & Wires” includes notable collaborations with artists Gaidaa and aja Monet, contributing to its richly diverse sound. Among the tracks revealed from the album is “Keep Away,” adding to the anticipation surrounding this project. The collaboration network expands with reference to Andrew Broder’s previous work on “Bloodrush,” which featured artists Denzel Curry and Haleek Maul. This track notably appeared on Travis Scott’s song “MY EYES,” exemplifying the interconnected nature of contributions and influences that underpin “Of Earth & Wires.” These collaborations and track mentions showcase the broad artistic base involved in shaping the album’s creation.

Justin Vernon’s role in the collaboration included immediate creative input during the Minneapolis session, with Vernon improvising the chorus to “Flood” on the spot while Dua Saleh wrote the lyrics to the rhythm of that improvisation. Beyond the initial session, Vernon remained involved as the tracks developed by regularly listening to demos, re-recording vocals and contributing to arrangement decisions. Dua Saleh described Vernon’s enthusiasm, sincerity and melodic intuition as making the process feel incredibly natural, and said that watching his cathartic process and hearing emotion in his voice pushed her to confront parts of her past. These contributions were reported as shaping the evolution of “Flood” and “Glow” across subsequent work on the project.

CONCLUSION

Dua Saleh said that “Flood” was born first during the Minneapolis sessions, and that Justin Vernon improvised the chorus on the spot while she wrote the lyrics to the rhythm of that improvisation. She reported that watching Vernon’s cathartic process and hearing the emotion come through in his voice pushed her to confront parts of her past she had not fully faced yet. These remarks are presented as Dua Saleh’s account of the immediate creative moment that produced the track and of how that moment shaped her approach to the song.

Dua Saleh said that Justin Vernon’s enthusiasm, sincerity and melodic intuition made the collaborative process feel incredibly natural. She said that what struck her most was his regular presence after the initial session, including an eagerness to listen to demos, to re-record vocals and to contribute to arranging as the songs took shape. These statements are presented as descriptions of the collaborative atmosphere and ongoing involvement that Dua Saleh reported during the development of the tracks.

Justin Vernon contributed immediate creative input during the Minneapolis session that produced “Flood” and “Glow,” reportedly improvising the chorus to “Flood” on the spot while Dua Saleh wrote the lyrics to the rhythm of that improvisation. After that initial session, Vernon continued to participate in the development of the tracks by regularly listening to demos, re-recording vocals and contributing to arrangement decisions as the songs were shaped.

Dua Saleh described Vernon’s enthusiasm, sincerity and melodic intuition as factors that made the collaborative process feel “incredibly natural.” She also said that watching his cathartic process and hearing emotion come through in his voice pushed her to confront parts of her past she had not fully faced. These reported contributions and the described collaborative atmosphere are presented as elements that shaped the evolution and final arrangements of the singles.

DJ Pulse

DJ Pulse

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