FEMC Frankfurt FLINTA Conference Highlights Workshops, Panels, DJ Sets

The FEMC Frankfurt FLINTA Conference is held at Frankfurt’s MOMEM venue, featuring a comprehensive program with workshops, panels, and DJ sets. The event places a strong emphasis on promoting visibility and providing support for FLINTA* individuals. Content is centered around the themes “Music is Community” and “Music is Medicine,” underscoring the importance of music as a social and healing practice.

Renowned for her 30-year impact on the electronic music scene, Katja Ruge serves as curator for the first time. The conference includes technical workshops led by notable figures such as DJ MELL G and Nadia Struiwigh. Tanja Godlewsky and Katja Ruge also offer a workshop focused on gender identity, self-presentation, photography, and art, enriching the event’s emphasis on safe spaces and inclusivity.

The FEMC Frankfurt FLINTA Conference program comprises a mix of workshops, panels, and DJ sets that center on practical exchange and public discussion. Programming is organized around the two guiding themes, “Music is Community” and “Music is Medicine,” which frame session selection and topics across the schedule.

Workshops at the event are designated as FLINTA*-only to provide focused support and visibility, while panels are open to all to encourage inclusive dialogue and structural change. The format balances hands-on technical sessions with discursive panel work and performance slots to reflect both practice and public-facing conversation.

Session topics span DJ technology and VJing, social media staging, gender issues, mental health, booking structures, and community work, offering a range intended to address artistic, organizational, and wellbeing concerns in electronic music. The program includes targeted technical workshops led by practitioners and specific sessions such as the “Booking Agency – Pain or Gain?” workshop to examine industry structures.

Contributors and participants named in the program include DJ MELL G, Nadia Struiwigh, Tanja Godlewsky, Electric Indigo, Julia Meier, and Katharin Ahrend, reflecting a mix of technical instructors, artist-activists, and sector representatives. Curatorial leadership for the conference is provided by Katja Ruge.

Katja Ruge is curating the conference for the first time and has shaped the electronic music scene for 30 years as a photographer. Technical workshops at the event feature DJ MELL G and Nadia Struiwigh as instructors. Tanja Godlewsky joins Katja Ruge to lead a workshop addressing gender identity, self-presentation, photography, and art. These contributors are presented in the program as workshop hosts and curatorial leadership.

Electric Indigo is listed among participants and is identified as a pioneer of Female Pressure. Julia Meier is named as a participant and is identified as a co-founder of clubcherry. Katharin Ahrend is named in the program with an affiliation to the Berlin Club Commission. The program lists these individuals as contributors to panels, workshops, or discussions.

Katja Ruge has articulated the philosophy and approach of the FEMC Frankfurt FLINTA Conference through several key statements. She describes electronic music as “a community practice, not just a product or event,” emphasizing its role in fostering communal ties and offering healing. This perspective underscores the conference’s dedication to the themes “Music is Community” and “Music is Medicine.” Ruge has stated the importance of providing safe spaces, especially for learning and personal topics, highlighting the need for environments where participants can experiment without fear of failure.

The conference is designed as an open structure, with Ruge explaining, “I did not want to think of FEMC as an enclosed space.” This reflects her commitment to accessibility and inclusion, ensuring broad participation across the programming. She emphasized that panels are open to all because “structural changes only work if as many people as possible are included in the dialogue.” This approach promotes inclusive engagement and ensures that discussions are conducted in a manner that allows diverse voices to contribute to the discourse surrounding electronic music.

Workshops and panels at the FEMC Frankfurt FLINTA Conference address a combination of technical instruction, identity-focused practice, and sectoral topics. Technical sessions at the event include workshops led by DJ MELL G and Nadia Struiwigh that focus on DJ technology and related practical skills, and a workshop led by Tanja Godlewsky together with Katja Ruge covers gender identity, self-presentation, photography, and art. The program also includes sessions that examine booking structures and industry practices, exemplified by the “Booking Agency – Pain or Gain?” workshop, and it addresses community work as part of its thematic coverage. These elements are organized to provide concrete training and topical exploration within the conference schedule.

The conference distinguishes between FLINTA*-only workshops and panels that are open to all, structuring session formats to separate focused learning spaces from broader public discussion. Across its schedule the program spans DJ technology, VJing, social media staging, gender issues, mental health, booking structures, and community work, combining hands-on workshops with discursive panel formats and performance slots. This arrangement places practical workshops alongside panel discussions and DJ sets to cover both applied skills and public-facing conversation. The workshop and panel configuration is presented in the program as a mix of instructional, reflective, and performance-oriented formats.

The FEMC Frankfurt FLINTA Conference emphasizes community, visibility, and support for FLINTA* individuals within electronic music. Katja Ruge is curating the conference for the first time and has shaped the electronic music scene for 30 years as a photographer. The conference is organized around the guiding themes “Music is Community” and “Music is Medicine.” The program brings together workshops, panels, and DJ sets.

Workshops at the event are designated as FLINTA*-only and panels are open to all, and the program emphasizes creating safe spaces for learning, failing, and personal topics. Sessions combine practical workshops with discursive panels and performance slots, covering topics such as DJ technology, VJing, social media staging, gender issues, mental health, booking structures, and community work. The conference includes specific sessions addressing industry structures, such as the “Booking Agency – Pain or Gain?” workshop. The programming and structure are presented as measures to promote visibility and provide concrete support for FLINTA* participants.

The FEMC Frankfurt FLINTA Conference program is organized around the two guiding themes “Music is Community” and “Music is Medicine.” Workshops at the event are designated as FLINTA*-only, while panels are open to all, and the schedule brings together workshops, panels, and DJ sets. The program balances practical workshops, discursive panels, and performance slots to reflect both hands-on practice and public discussion. This structure is intended to combine focused support for FLINTA* participants with opportunities for broader dialogue.

Topics across the program range from DJ technology and VJing to social media staging, gender issues, mental health, booking structures, and community work. Technical workshops at the conference feature instructors such as DJ MELL G and Nadia Struiwigh. A workshop led by Tanja Godlewsky together with Katja Ruge addresses gender identity, self-presentation, photography, and art. The program also includes sessions examining industry structures, exemplified by the “Booking Agency – Pain or Gain?” workshop.

Katja Ruge is curating the FEMC Frankfurt FLINTA Conference for the first time and has shaped the electronic music scene for 30 years as a photographer. Technical workshops at the event feature DJ MELL G and Nadia Struiwigh as instructors. Tanja Godlewsky and Katja Ruge are scheduled to lead a workshop that covers gender identity, self-presentation, photography, and art. These individuals are presented in the program as workshop hosts and curatorial leadership.

Electric Indigo is listed among participants and is identified in the program as a pioneer of Female Pressure. Julia Meier is named as a participant and is identified as a co-founder of clubcherry. Katharin Ahrend is named in the program with an affiliation to the Berlin Club Commission. The program lists these contributors as participants in panels, workshops, or discussions.