Deadmau5 studio tour and gear obsession: studio depths exposed
Explore Deadmau5 studio tour and gear obsession as we dive into his iconic synth collection, from Juno-106 to Fairlight CMI30A and EMS Synthi AKS.
The Deadmau5 studio tour and gear obsession transports audiences into the world of Deadmau5’s impressive synth collection through a new Reverb studio tour. This feature showcases the extensive array of instruments housed within his custom studio, including a mix of vintage Roland classics and expansive modular rigs. Emphasizing his dedication to sound, the tour reveals that Deadmau5 invested approximately three years transforming the studio into a fully operational sound-making space.
Among the standout pieces in his collection is the Roland Juno-106, procured for $40 from a pawn shop in Niagara Falls, potentially marking his second synth purchase. The studio tour also highlights the Fairlight CMI30A, equipped with a functional light pen, and predating the invention of the computer mouse, as well as the EMS Synthi AKS, a compact modular synth that Deadmau5 considers invaluable to his setup. Additionally, the Minimoog Voyager 10th Anniversary edition, one of just 31 made and valued at $15,000, is highlighted for its uniqueness, being gold-plated and encased in a lavish wooden box with high-gloss piano lacquer and Awabi pearls.
The Roland Juno-106 in Deadmau5’s studio was bought for $40 from a pawn shop in Niagara Falls. It is noted as possibly the second synth he ever acquired.
The Fairlight CMI30A is another key piece in the studio, featuring a still-functioning light pen and is known to predate the invention of the computer mouse.
The EMS Synthi AKS is highlighted as a compact modular synthesizer that Deadmau5 considers valuable, stating he would definitely grab it in case of a fire.
Among the highlighted pieces is the Minimoog Voyager 10th Anniversary edition, which is gold-plated and one of only 31 units made. This rare synthesizer costs $15,000 and is housed in a wooden box adorned with high-gloss piano lacquer and Awabi pearls.
This is my office, my lab, my retreat… I have a severe gear acquisition syndrome.
This took like a solid three years just to get it to make sound.
It’s the justification that, oh, I spent so much money on this fucking thing, I might as well use it, you know?
I never tour with anything I can’t replace.
I just need the keys.
Maybe the second synth I ever bought.
Okay, 50 dollars.
Eh… 40?
Yeah, whatever.
I go in there, and I know exactly what the fuck that thing is.
This predates the invention of the [computer] mouse.
I’ve used this on tracks. I use it on a track called 2448.
It’s not dirty, but I use it a lot.
The last unicorn.
Definitely grab it in a fire.
Deadmau5 recounts purchasing a Roland Juno-106 from a pawn shop in Niagara Falls for $40. The Juno-106 is described in the feature as possibly the second synth he ever bought. In the tour he recounts negotiating the purchase with the dialogue “okay, 50 dollars.” “eh… 40?” “yeah, whatever.” The feature presents those spoken lines as the price negotiation for that instrument.
The Minimoog Voyager 10th Anniversary edition in his collection is gold-plated, one of 31 units made, is reported to cost $15,000, and is housed in a wooden box finished in high-gloss piano lacquer with Awabi pearls. The Fairlight CMI30A in the studio retains a still-functioning light pen and is noted to predate the invention of the computer mouse.
The EMS Synthi AKS is described as a compact modular synthesizer that he says he would definitely grab in a fire. The available sources do not provide this information.
The Reverb studio tour focuses on Deadmau5’s studio and its extensive synth collection. The feature highlights a mix of vintage Roland classics and expansive modular rigs within the room. Deadmau5 spent about three years getting the studio to the point where it can make sound. He describes the space as his office, his lab, and his retreat.
A Roland Juno-106 in the collection was purchased from a pawn shop in Niagara Falls for $40. The Juno-106 is described as possibly the second synth he ever bought. In the tour he recounts negotiating the purchase with the dialogue “okay, 50 dollars.” “eh… 40?” “yeah, whatever.”
The Fairlight CMI30A in the studio retains a still-functioning light pen. The feature states that the Fairlight predates the invention of the computer mouse. Deadmau5 says he has used the Fairlight on tracks, including one called 2448. He describes the instrument as not dirty and says he uses it a lot.
The EMS Synthi AKS is presented as a compact modular synthesizer in the studio. Deadmau5 says he would definitely grab the EMS Synthi AKS in a fire. The Minimoog Voyager 10th Anniversary edition in his collection is gold-plated and one of 31 units made, reported to cost $15,000. That Voyager is housed in a wooden box finished in high-gloss piano lacquer and decorated with Awabi pearls.
CONCLUSION
The Reverb tour features Deadmau5’s studio and its extensive synth collection. The feature highlights a mix of vintage Roland classics and expansive modular rigs in the studio. Deadmau5 spent about three years getting the studio to the point where it can make sound. He describes the space as his office, his lab, his retreat and says he has a severe gear acquisition syndrome.
The Roland Juno-106 was bought for $40 from a pawn shop in Niagara Falls and is described as possibly the second synth he ever bought. The Fairlight CMI30A retains a still-functioning light pen and predates the invention of the computer mouse. Deadmau5 says he has used the Fairlight on tracks, including one called 2448. He describes the Fairlight as not dirty and says he uses it a lot.
The EMS Synthi AKS is described as a compact modular synthesizer that Deadmau5 says he would definitely grab in a fire. The Minimoog Voyager 10th Anniversary edition in the collection is gold-plated and one of 31 units made. That Voyager is reported to cost $15,000 and is housed in a wooden box finished in high-gloss piano lacquer and decorated with Awabi pearls. Deadmau5 also states that he never tours with anything he can’t replace, a rule he has broken once for a 2018 performance at The Wiltern Theatre.
The Reverb tour features Deadmau5’s studio and its extensive synth collection. The feature highlights a mix of vintage Roland classics and expansive modular rigs in the studio. Deadmau5 spent about three years getting the studio to the point where it can make sound. He describes the space as his office, his lab, and his retreat.
The Roland Juno-106 was bought for $40 from a pawn shop in Niagara Falls. The Juno-106 is described as possibly the second synth he ever bought. In the tour he recounts negotiating the purchase price with the lines “okay, 50 dollars.” “eh… 40?” “yeah, whatever.”
The Fairlight CMI30A in the studio retains a still-functioning light pen. The feature states that the Fairlight predates the invention of the computer mouse. Deadmau5 says he has used the Fairlight on tracks, including one called 2448. He says the instrument is not dirty and that he uses it a lot.
The EMS Synthi AKS is described as a compact modular synthesizer. Deadmau5 says he would definitely grab the EMS Synthi AKS in a fire. The Minimoog Voyager 10th Anniversary edition in the collection is gold-plated and one of 31 units made. The Voyager is reported to cost $15,000 and is housed in a wooden box finished in high-gloss piano lacquer and decorated with Awabi pearls.
This is my office, my lab, my retreat… I have a severe gear acquisition syndrome.
This took like a solid three years just to get it to make sound.
Maybe the second synth I ever bought.
I go in there, and I know exactly what the fuck that thing is.
I just need the keys.
Okay, 50 dollars.
Eh… 40?
Yeah, whatever.
This predates the invention of the computer mouse.
I’ve used this on tracks. I use it on a track called 2448.
It’s not dirty, but I use it a lot.
It’s the justification that, oh, I spent so much money on this fucking thing, I might as well use it, you know?
The last unicorn.
I never tour with anything I can’t replace.
Definitely grab it in a fire.