Sabotage on GROOVE: Part 1 Review, March 2026
GROOVE Reviews: Part 1 of the Albums in March 2026 analyzes Alix Perez’s Sabotage and highlights Cape Reinga, Mother Cell, Watch This, and Kal-El.
GROOVE Reviews: Part 1 of the Albums in March 2026
GROOVE Reviews: Part 1 of the Albums in March 2026 presents the first installment of a series reviewing albums released in March 2026. The review is written by Jakob Senger and was published on March 30, 2026. This installment highlights Alix Perez’s record ‘Sabotage’ alongside other artists and releases from March 2026.
Tracks noted in the piece include ‘Cape Reinga’, ‘Mother Cell’, ‘Watch This (feat. Cesco)’, and ‘Kal‑El (feat. Trim)’. The article is classified under News and contains outbound links to artist pages on SoundCloud and Bandcamp.
GROOVE Reviews: Alix Perez’s ‘Sabotage’
Alix Perez’s record ‘Sabotage’ is prominently featured in Part 1 of GROOVE Reviews’ series on albums released in March 2026. This album showcases a variety of tracks with distinct sounds and collaborations.
‘Cape Reinga’ is characterized as a weightless-hypnotic piece, featuring powerful percussive reverb, subtle low frequencies, and meditative vocals.
In contrast, ‘Watch This’ (featuring Cesco) is described as an aggressive and uncompromising breakbeat track with pressing sub, popping snares, and dusty dry vocal chops.
The album also includes ‘Mother Cell’ and ‘Kal-El’, the latter featuring London grime MC Trim, adding a unique vocal element to the track.
The entire album maintains a consistent tempo, with a BPM of 140, ending with the track ‘Kal-El’. These elements collectively highlight Perez’s exploration of rhythmic diversity and collaborative innovation within the album.
‘Cape Reinga’ is described as a “weightless-hypnotic” piece and is said to “come with powerful percussive reverb, subtle low frequencies and meditative vocals.” The track is listed among the pieces from Alix Perez’s record ‘Sabotage’ and is presented in the review with these specific sonic descriptors. The article identifies this composition by those quoted characteristics and places it alongside other tracks on the same record. The review singles out ‘Cape Reinga’ by using the quoted phrasing to describe its sound.
‘Watch This’ (feat. Cesco) is described in the article as “an aggressive and uncompromising breakbeat track.” The review further specifies that the track includes “pressing sub, popping snares, and dusty dry vocal chops.” The piece is credited as featuring Cesco and is listed among the album’s tracks in the review. Those quoted descriptors are the article’s explicit portrayal of the track’s sonic elements.
‘Kal-El’ features London grime MC Trim. The article states that the long player ends with ‘Kal-El’ and identifies the track by its feature. The review also records the album’s tempo as 140 BPM, which applies to the long player that closes with ‘Kal-El’. The track is presented as the closing piece on the Sabotage LP with Trim as the featured vocalist.
The article mentions the following people: Alix Perez, Cesco, Trim, Jakob Senger, Appleblim, Ben Kaczor, Caterina Barbieri, Bendik Giske, Daniel Lopatin, Laurel Halo, and Julian Charrière. Jakob Senger is identified as the author of the piece. Trim is identified in the article as a London grime MC.
The company named in the article is GROOVE. Products and tracks explicitly listed in the article include the Sabotage (LP), Cape Reinga, Mother Cell, Watch This, and Kal‑El. The article is classified under the category News and includes outbound links to artist pages on SoundCloud and Bandcamp.
The article includes outbound links that point to artist pages on SoundCloud and Bandcamp related to the reviewed albums and artists. These links are presented as external references connected to the artists discussed in the review and to the specific albums mentioned. The article states that such external pages are linked but does not provide the full URLs or web addresses. No other external link details are included in the piece.
CONCLUSION
This article is Part 1 of the GROOVE Reviews series focused on albums released in March 2026 and was published on March 30, 2026, with Jakob Senger listed as the author.
The piece contains a detailed review of Alix Perez’s Sabotage LP and lists the tracks 'Cape Reinga', 'Mother Cell', 'Watch This (feat. Cesco)', and 'Kal-El (feat. Trim)'.
The review records that 'Cape Reinga' is “weightless-hypnotic” and “comes with powerful percussive reverb, subtle low frequencies and meditative vocals”, and that 'Watch This' featuring Cesco is “an aggressive and uncompromising breakbeat track” with “pressing sub, popping snares, and dusty dry vocal chops”.
The album’s tempo is noted as 140 BPM, and the long player ends with 'Kal-El', which features London grime MC Trim.
Alix Perez’s album ‘Sabotage’ is prominently featured in the GROOVE Reviews series for albums released in March 2026. The album includes several standout tracks such as ‘Cape Reinga’, ‘Mother Cell’, ‘Watch This (feat. Cesco)’, and ‘Kal-El (feat. Trim)’.
‘Cape Reinga’ is described as a weightless-hypnotic piece, notable for its powerful percussive reverb, subtle low frequencies, and meditative vocals. In contrast, ‘Watch This’, featuring Cesco, is an aggressive and uncompromising breakbeat track filled with pressing sub-bass, popping snares, and dusty dry vocal chops.
The album’s closing track ‘Kal-El’ features an appearance by London grime MC Trim, which adds a distinct vocal element to the piece. The album consistently maintains a tempo of 140 BPM throughout its runtime, showcasing Perez’s exploration of rhythmic diversity and innovative collaboration.