The MAGMA Berlin festival returns for its second edition as a two-day open-air event in Berlin. Scheduled for August 8 and 9, the festival presents a program that mixes live performances, DJs and bands. Organizers describe the lineup as blending house, techno and bass music with hyperpop, alternative R&B, indie and dance-punk.

The concept emphasizes live acts and DJ sets rather than a single genre, and stage design aims to bring performers and spectators closer, blurring boundaries and involving the audience. Ticket prices are deliberately low and the program includes exclusive Berlin artists. An aftershow in RSO is scheduled to start at 10 PM on Saturday.

The MAGMA Berlin festival’s program combines live performances, DJs and bands across a deliberately wide stylistic range, explicitly blending house, techno and bass music with hyperpop, alternative R&B, indie and dance-punk. Organizers emphasize the presence of both live acts and DJ sets and state that they do not follow a single genre, while the stage design is intended to bring performers and spectators closer and to involve the audience. Programming stretches across two days and includes both club-oriented DJ bookings and live sets, with deliberately low ticket prices.

Reported live-set bookings include Blawan and Tracey, and the DJ lineup features Pearson Sound, Surusinghe and Hekt. Exclusive to Berlin this year are artists named The Dare, Deki Alem, Erika de Casier, Headache, HiTech, Joy Orbison, Skin on Skin, Sophia Stel, Mia Koden and Yaeji. An aftershow in RSO is scheduled to start at 10 PM on Saturday, complementing the main festival program.

The MAGMA Berlin festival’s aftershow at RSO is scheduled to start at 10 PM on Saturday.

The accompanying festival information lists live sets by artists such as Blawan and Tracey and names DJs including Pearson Sound, Surusinghe, and Hekt among the billed bookings for the event. However, these acts are presented within the published lineup without allocating them to a specific RSO aftershow slot or providing timing, sequence, or role details for the aftershow itself.

The available sources do not provide this information.

Pricing and Stage Design at MAGMA Berlin

Ticketing and Affordability

Organizers state that ticket prices are deliberately low, framing affordability and inclusivity as part of the festival ethos. The published information does not include exact fares or ticket tiers. Related keywords include budget tickets, accessible pricing and community access.

Stage Concept and Audience Experience

The festival emphasizes staging that brings performers and spectators closer and blurs traditional boundaries to encourage participation. Features described in the concept include intimate sightlines, immersive presentation and a focus on live interaction rather than large scale spectacle. The published material references a nod to the MELT festival RIP but does not provide technical drawings, production partners or detailed layout plans.

What Remains Unspecified

The available sources do not disclose numerical pricing details, blueprints or production specifications.

Magnus von Welck frames the festival’s sonic identity with the statement: “For us, the sound of MAGMA is more a feeling that is hard to put into words.” He adds an exhortation to attendees to “let yourselves be surprised,” presenting the festival’s curatorial approach as oriented toward experience and momentary discovery. The published remarks position programming choices as deliberate interventions in atmosphere, using artist selection and set sequencing to shape those experiences. The available sources do not provide further verbatim commentary or extended explanation of this framing.

The curatorial team is quoted saying, “That’s why we consciously do not follow a single genre,” which the festival presents as a guiding principle for booking and presentation. This statement is paired in the published material with references to programming that mixes live acts and DJ sets to achieve a varied festival experience. The available sources do not provide additional detail on how this principle is operationalized in daily scheduling, stage allocation, or artistic briefings.

CONCLUSION

The MAGMA Berlin festival presents a program combining live performances, DJs and bands and blends house, techno and bass music with hyperpop, alternative R&B, indie and dance-punk. Organizers state they do not follow a single genre and emphasize both live acts and DJ sets. Stage design aims to bring stage and audience closer, blurring boundaries and involving spectators. Ticket prices are described as deliberately low.

The published lineup lists exclusive Berlin artists including The Dare, Deki Alem, Erika de Casier, Headache, HiTech, Joy Orbison, Skin on Skin, Sophia Stel, Mia Koden and Yaeji. Reported live-set bookings include Blawan and Tracey, and DJ bookings include Pearson Sound, Surusinghe and Hekt. The festival is scheduled as a two-day open-air event on August 8 and 9 in Berlin.