130 artists sign Palestine liberation manifesto in Mosaïque Magazine

The Palestine liberation manifesto in Mosaïque Magazine appears in the 15th issue of Mosaïque Magazine, a charity issue published on September 14 that features a cover dedicated to Palestine and its rappers. The manifesto, titled ‘Rap belongs to everyone except the oppressor’, was signed by 130 artists, including Theodora, Ebony, Ino Casablanca, 2L, Asfar Shamsi and Juste Shani, signaling collective solidarity within the hip-hop community.

The issue allocates 20% of its profits to BSHNDY and to Ayman Jamal Mghames, and the article frames the release as an opportunity for artists to speak out about rap’s origins as a socially engaged genre. The piece also notes industry pressure faced by artists who support Palestine, citing the example of Macklemore being dropped from Ed Sheeran’s U.S. tour, and quotes Calbo asking, ‘Who claims to make rap without taking a stand?’

The 15th issue of Mosaïque Magazine is a charity issue published on September 14 and features a cover dedicated to Palestine and its rappers. The release includes a manifesto titled ‘Rap belongs to everyone except the oppressor’ that was signed by 130 artists. Signatories named in the article include Theodora, Ebony, Ino Casablanca, 2L, Asfar Shamsi and Juste Shani. The magazine frames the collective statement as an expression of solidarity across the hip-hop community.

The issue designates 20% of its profits to be donated to BSHNDY and to Ayman Jamal Mghames, making the publication a charity project. The article situates the magazine within a broader discussion of rap as a socially engaged genre and presents the issue as an opportunity for artists to speak out. The piece also notes that artists who express support for Palestine have faced industry pressure, citing the example of Macklemore being dropped from Ed Sheeran’s U.S. tour after expressing support. Calbo is quoted asking, ‘Who claims to make rap without taking a stand?’

Named signatories identified in the source are Theodora, Ebony, Ino Casablanca, 2L, Asfar Shamsi and Juste Shani. The article lists these artists as signatories to the publication’s manifesto. The presentation groups them among contributors affirming support for Palestine. No additional signatory names are provided in the source excerpt.

Mosaïque Magazine is the publication that released the issue containing the manifesto. The issue designates BSHNDY and Ayman Jamal Mghames as recipients of 20% of its profits. Calbo is quoted in the article with the question ‘Who claims to make rap without taking a stand?’, indicating his involvement in the piece. The source references industry examples and other artists in context, but does not list further individual signatories beyond those named.

The manifesto featured in the 15th issue of Mosaïque Magazine includes the statement, “Rap belongs to everyone except the oppressor.” This is a foundational assertion of the publication, aligning artists in solidarity for Palestine liberation.

Another notable quote from the article comes from artist Calbo, who poses the rhetorical question, “Who claims to make rap without taking a stand?” This highlights the expectation within the hip-hop community to engage in social and political advocacy. These statements underscore the cultural and activist stance taken by the contributors to the magazine.

The discussion also touches upon industry reactions to political expressions, citing how supporting Palestine has resulted in pressures, like Macklemore’s removal from Ed Sheeran’s U.S. tour due to his support of Palestine.

The article discusses the origin of rap as a socially engaged genre and presents that history as a frame for the Mosaïque Magazine issue. It describes the issue as a moment for artists to take a stand and to speak out on political and social questions. The magazine release is presented as an opportunity for collective expression within the hip-hop community, connecting contemporary gestures of solidarity to the genre’s activist roots. The piece references artist voices emphasizing the responsibility of rappers to engage publicly.

The article notes that artists who express support for Palestine have faced industry pressure. It gives the example of Macklemore being dropped from Ed Sheeran’s U.S. tour after expressing support for Palestine. The coverage places such industry reactions alongside the magazine’s solidarity initiative to highlight tensions between public advocacy and commercial consequences. The piece frames the Mosaïque Magazine issue as both a response to and an assertion against these pressures within the music industry.

The Mosaïque Magazine issue foregrounds artistic solidarity and activism in relation to the Palestine liberation manifesto, presenting political engagement as a central component of the publication’s editorial stance. The article situates that stance within the historical role of rap as a socially engaged genre and depicts the release as a platform for collective expression by musicians. It also records tensions between artists’ public advocacy and prevailing industry dynamics, noting that such positions can produce commercial or professional consequences for performers. The concluding coverage confines itself to the magazine’s stated positions and related industry context, without adding new factual claims beyond those presented in the piece.